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Interior Inspiration

Interior colour schemes for everyday rooms

Eight room schemes with walls, an accent, the ceiling and trims planned together, coordinated with the floors, furniture and light you're likely to have.

The short answer

Choose interior colours by what's fixed in the room and by its light. Warm floors and timber suit warm neutrals; grey tiles and dark frames suit cooler greys. In dim rooms, warm whites keep their colour better than cool greys. Choose the finish by how the wall will be used, and test samples under your own bulbs at night as well as by day.

Screen colours are approximate. Final appearance depends on lighting, surface, sheen and paint formulation. Always approve a physical painted sample before making your final selection.

Warm Neutral Living Room

Wheat walls, a toasted-almond feature wall and a warm white ceiling, for beige tiles and timber furniture.

Illustration of a living room with Soft Wheat side walls, a Toasted Almond back wall, a Warm Plaster White ceiling and Soft Ivory skirting and door, above beige porcelain tiles.
Illustration only: it shows where each colour goes, not how the finished house or room will look.

Where each colour goes

  • Main wallsSoft Wheat FG-C013Main walls.
  • Accent or secondary wallToasted Almond FG-C014One wall behind the sofa or television.
  • CeilingWarm Plaster White FG-C002Ceiling, slightly warmer than a pure white so it doesn't look grey above warm walls.
  • Trims and doorsSoft Ivory FG-C003Skirting, door frames and doors.
  • Floor ExistingBeige porcelain tilesBeige and warm-toned tiles and timber floors suit this scheme.
  • Furniture and joinery ExistingTimber and brown fabric furnitureTimber, brown leather and warm fabrics sit naturally in it.

Why the colours work together

Wheat and almond share the warm, yellow-red base of beige tiles and timber, so floor, walls and furniture read as one family. The accent wall is the same family, only deeper, so it adds depth without a clash.

Lighting

Warm white bulbs strengthen the cream tones; cool white bulbs make wheat look slightly grey. Look at samples under the bulbs you use in the evening.

Finish

Vinyl Matt for the main walls; Vinyl Silk if the wall is touched often. Ceilings are normally matt. Interior Matt & Silk Finishes

May not suit

  • Rooms with cool grey tiles or black frames
  • Owners who want a cool, modern look
  • Very dim rooms, where the mid-tone accent can feel heavy

Before you buy

Paint A4 sample boards and hold them against the floor tiles and the sofa; view them in daylight and again in the evening under your own bulbs.

Cool Contemporary Living Room

Pale dove grey walls, a deep slate feature wall and bright white ceiling, for grey tiles and dark window frames.

Illustration of a living room with Pale Dove Grey side walls, a Deep Slate back wall, a Brilliant Ceiling White ceiling and Brilliant Ceiling White skirting and door, above grey porcelain tiles.
Illustration only: it shows where each colour goes, not how the finished house or room will look.

Where each colour goes

  • Main wallsPale Dove Grey FG-C021Main walls.
  • Accent or secondary wallDeep Slate FG-C025One feature wall, such as behind the television.
  • CeilingBrilliant Ceiling White FG-C001Ceiling.
  • Trims and doorsBrilliant Ceiling White FG-C001Skirting and door frames.
  • Floor ExistingGrey porcelain tilesGrey, concrete-look and cool-toned tiles suit this scheme.
  • Furniture and joinery ExistingGrey fabric and black metal furnitureGrey fabric, black metal and glass fit it best.

Why the colours work together

The walls repeat the grey of the floor at a lighter strength, and the slate feature wall picks up the dark window frames, so the room reads as one cool, modern scheme.

Lighting

Cool and neutral bulbs keep the greys crisp; very warm bulbs can make pale grey look beige in the evening.

Finish

Matt suits the deep feature wall, where sheen would show every flaw; choose a washable product if it will be touched. Interior Matt & Silk Finishes

May not suit

  • Rooms with beige tiles or warm timber floors
  • Small or north-facing rooms, where pale grey can look flat and cold

Before you buy

Hold sample boards against the floor tile and a window frame; pale greys shift a lot between morning and evening light.

Two-Tone Feature Wall

A calm Chalk White room with one Deep Teal wall.

Illustration of a living room with Chalk White side walls, a Deep Teal back wall, a Brilliant Ceiling White ceiling and Chalk White skirting and door, above light timber-look tiles.
Illustration only: it shows where each colour goes, not how the finished house or room will look.

Where each colour goes

  • Main wallsChalk White FG-C004Three walls.
  • Accent or secondary wallDeep Teal FG-C038One wall, usually the one you face on entering or behind the main seating.
  • CeilingBrilliant Ceiling White FG-C001Ceiling.
  • Trims and doorsChalk White FG-C004Skirting and door frames, the same as the walls for a quiet background.
  • Floor ExistingLight timber-look tilesLight timber and neutral tiles both suit it.
  • Furniture and joinery ExistingNeutral fabric furnitureNeutral furniture lets the accent wall lead.

Why the colours work together

A neutral background gives one deep colour room to breathe. Deep teal sits between blue and green, so it works with both warm and cool furniture.

Lighting

Deep colours look darker in a dim room. Light the feature wall with a lamp or wall light so it doesn't read as black in the evening.

Finish

Matt on the feature wall hides flaws in a deep colour; the neutral walls can be matt or silk. Interior Matt & Silk Finishes

May not suit

  • Rooms where the only suitable wall has a window or many doors in it
  • Walls with uneven plaster, which a deep colour shows clearly

Before you buy

Paint a large sample (at least A3) of the accent on the chosen wall itself; a small chip always looks lighter than the finished wall.

Calm Bedroom

Soft eucalyptus walls with a muted sage wall behind the bed.

Illustration of a bedroom with Pale Eucalyptus side walls, a Muted Sage back wall, a Whisper Sage ceiling and Warm Plaster White skirting and door, above timber or warm laminate.
Illustration only: it shows where each colour goes, not how the finished house or room will look.

Where each colour goes

  • Main wallsPale Eucalyptus FG-C033Main walls.
  • Accent or secondary wallMuted Sage FG-C034The wall behind the bed.
  • CeilingWhisper Sage FG-C007Ceiling, a white with a hint of green so it sits quietly above the walls.
  • Trims and doorsWarm Plaster White FG-C002Skirting, doors and wardrobe surrounds.
  • Floor ExistingTimber or warm laminateTimber and warm tiles balance the cool green.
  • Furniture and joinery ExistingLight linen bedding and timber bedNatural linens and timber suit it.

Why the colours work together

Eucalyptus and sage are low-contrast, greyed greens, so the room looks restful without being dull, and a timber floor stops the greens from feeling cold. (Whether a colour feels calm is personal; the low contrast is what makes the scheme quiet.)

Lighting

Greens can look grey under cool bulbs and yellow under very warm ones. Check the samples under bedside lighting.

Finish

Vinyl Matt gives the calm, even look most people want in a bedroom. Interior Matt & Silk Finishes

May not suit

  • Very dark rooms, where greyed greens can look muddy
  • Owners who dislike green

Before you buy

Look at samples at night under the bedside lamp as well as in daylight; that is when the room is mostly used.

Small or Low-Light Room

A warm plaster white with a pale shell wall and a bright ceiling, to keep a small or dim room light without looking grey.

Illustration of a bedroom with Warm Plaster White side walls, a Pale Shell back wall, a Brilliant Ceiling White ceiling and Warm Plaster White skirting and door, above light tiles.
Illustration only: it shows where each colour goes, not how the finished house or room will look.

Where each colour goes

  • Main wallsWarm Plaster White FG-C002Main walls.
  • Accent or secondary wallPale Shell FG-C006Optional: the window wall, for a little warmth.
  • CeilingBrilliant Ceiling White FG-C001Ceiling, the brightest surface.
  • Trims and doorsWarm Plaster White FG-C002Skirting and doors, the same as the walls so the room looks larger.
  • Floor ExistingLight tilesLight floors help; dark floors make a small room feel smaller.
  • Furniture and joinery ExistingLight furnitureLight furniture keeps the room open.

Why the colours work together

Warm whites keep their warmth in weak light, where cool whites look grey. Painting the walls and trims the same colour removes edges, which helps a small room feel less broken up.

Lighting

In low light, cool whites and greys turn dull and grey. Warm whites hold up better. Add artificial light where daylight is weak; no paint replaces it.

Finish

A soft sheen can bounce a little more light but shows wall flaws; on uneven walls, matt is safer. Interior Matt & Silk Finishes

May not suit

  • Bright, sunny rooms where a warm white can look creamy
  • Owners who want strong colour

Before you buy

Sample at the darkest time of day you use the room; compare two whites on the same wall.

Kitchen and Adjacent Living Areas

Pale greige for the kitchen and open-plan areas, with a driftwood dining wall.

Illustration of a kitchen and dining area with Pale Greige side walls, a Driftwood Greige back wall, a Brilliant Ceiling White ceiling and Brilliant Ceiling White skirting and door, above neutral porcelain tiles.
Illustration only: it shows where each colour goes, not how the finished house or room will look.

Where each colour goes

  • Main wallsPale Greige FG-C015Kitchen and the open living area, so the spaces flow.
  • Accent or secondary wallDriftwood Greige FG-C020The dining wall or the wall where the kitchen meets the living area.
  • CeilingBrilliant Ceiling White FG-C001Ceiling.
  • Trims and doorsBrilliant Ceiling White FG-C001Skirting and door frames.
  • Floor ExistingNeutral porcelain tilesNeutral, greige and light grey tiles suit it.
  • Furniture and joinery ExistingWhite cabinets with a dark worktopGreige suits white, timber and grey cabinetry; check it against the worktop.

Why the colours work together

Pale greige is neutral enough to work with most cabinet and worktop colours, and it hides everyday marks better than white. One colour across open-plan areas keeps them connected.

Lighting

Kitchen lights are often cool white; check the greige under them, where it can look grey.

Finish

A wipeable finish (often Vinyl Silk, or a matt described as washable) near cooking and dining areas; check the product's data sheet for cleaning. Interior Matt & Silk Finishes

May not suit

  • Kitchens with strongly coloured cabinets that need their own scheme
  • Owners who want a bright white kitchen

Before you buy

Hold samples against the cabinets and worktop under the kitchen lights, and check splash-back areas, which may need tiling or a more washable product.

Children's Room

Pale sky walls with a marigold accent band or wall that can be repainted as the child grows.

Illustration of a bedroom with Pale Sky side walls, a Marigold back wall, a Brilliant Ceiling White ceiling and Brilliant Ceiling White skirting and door, above light timber-look floor.
Illustration only: it shows where each colour goes, not how the finished house or room will look.

Where each colour goes

  • Main wallsPale Sky FG-C039Main walls.
  • Accent or secondary wallMarigold FG-C045A lower band, a single wall or shelves: easy to repaint later.
  • CeilingBrilliant Ceiling White FG-C001Ceiling.
  • Trims and doorsBrilliant Ceiling White FG-C001Skirting and door frames.
  • Floor ExistingLight timber-look floorWarm floors balance the cool blue.
  • Furniture and joinery ExistingWhite and timber furnitureNeutral furniture keeps the room flexible.

Why the colours work together

A light main colour keeps the room flexible; the bright accent sits in one area, so it can change as the child grows without repainting the whole room.

Lighting

Pale blue can look grey in dim light; a north-facing room may suit a warmer main colour.

Finish

A washable finish matters most here: Vinyl Silk or a matt described as washable. Check the data sheet. Interior Matt & Silk Finishes

May not suit

  • Owners who want an all-neutral room
  • Very dim rooms (choose a warmer main wall)

Before you buy

Sample the accent at the size it will be painted; strong yellows look much stronger on a whole wall.

Rental-Ready Neutral Scheme

One soft limestone off-white throughout, with pale greige in corridors: simple to touch up between tenants.

Illustration of a living room with Soft Limestone side walls, a Pale Greige back wall, a Brilliant Ceiling White ceiling and Soft Limestone skirting and door, above neutral tiles.
Illustration only: it shows where each colour goes, not how the finished house or room will look.

Where each colour goes

  • Main wallsSoft Limestone FG-C008All rooms.
  • Accent or secondary wallPale Greige FG-C015Corridors and high-traffic walls, a shade deeper to hide marks.
  • CeilingBrilliant Ceiling White FG-C001All ceilings.
  • Trims and doorsSoft Limestone FG-C008Skirting and door frames.
  • Floor ExistingNeutral tilesWorks with most tile colours.
  • Furniture and joinery ExistingTenant's own furnitureNeutral walls suit most tenants' furniture.

Why the colours work together

One main colour across the property makes touch-ups simple: the same tin works in every room. A slightly deeper corridor colour hides scuffs where they happen most.

Lighting

A neutral off-white behaves predictably under both warm and cool bulbs.

Finish

Matt touches up most easily; use a washable product in corridors and kitchens. Interior Matt & Silk Finishes

May not suit

  • Owner-occupied homes where personality matters more than easy turnover

Before you buy

Record the colour, product and finish used so touch-ups match. Even the same colour in a different sheen or product can show as a patch.

Choosing between matt and silk? The Silk vs Matt guide compares them room by room.

From screen to wall: approving a sample

  1. Narrow down to two or three colours here.
  2. Ask for those colours in the actual product and sheen you plan to use. Your supplier will match the closest colour from their own range; the names and codes here are FinishGrid's, not a manufacturer's.
  3. Paint sample boards (A4 or larger) or patches on the wall, with two coats.
  4. Look at them beside the roof, floor or furniture, on sunny and shaded walls, morning and evening.
  5. Approve one painted sample before buying all the paint.

Plan the next step

Work out how much paint your rooms need, check a problem wall first, or ask for advice on your actual rooms.

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